In literature, a plot is all the events in a story particularly rendered towards the achievement of some particular artistic or emotional effect. Art refers to a diverse range of Human activities creations and expressions that are appealing to the Senses or Emotions of a human individual An emotion is a mental and physiological state associated with a wide variety of feelings thoughts and behaviours In other words, it's what mostly happened in the story or novel or what the story's general theme is based on, such as the mood, characters, setting, and conflicts occurring in a story. An intricate, complicated plot is known as an embroglio.
Such can be distinguished from the story or narrative that is framed by the plot. When a plot is like the pencil outline, the story is comparable to the finished painting. An example of the type of plot which follows these sorts of lines is the linear plot of development to be discerned within the pages of a '. . . 'Bildungsroman novel. A bildungsroman (ˈbɪldʊŋsroˌmaːn "novel of formation" is a Novelistic genre that arose during the German Enlightenment (and is regarded by some as Aristotle notes that a string of unconnected speeches, no matter how well-exhausted, will not have as much emotional impact as a series of tightly connected speeches delivered by perfect speakers. Public speaking is the process of speaking to a group of people in a structured deliberate manner intended to inform influence or entertain the listeners
Aristotle used the term mythos to denote plot. Aristotle (Greek Aristotélēs) (384 BC – 322 BC was a Greek philosopher a student of Plato and teacher of Alexander the Great. Mythos is the term used by Aristotle in his Poetics (c 335 BCE for the plot of an Athenian Tragedy. In literature, mythos is a traditional or recurrent narrative theme or plot structure. The description is deceptively simple, because the actions are performed by particular characters in a work and are the means by which they exhibit their moral and dispositional qualities. Morality (from the Latin la moralitas "manner character proper behavior" has three principal meanings A disposition is a habit, a preparation a state of readiness or a tendency to act in a specified way
The concept of oscar and the associated concept of construction of plot, emplotment, has developed considerably since Aristotle made these insightful observations. The episodic narrative tradition which Aristotle indicates has systematically been subverted over the intervening years, to the extent that the concept of beginning, middle, end are merely regarded as a conventional device when no other is at hand.
This is particularly true in the cinematic tradition, in which the folding and reversal of episodic narrative is now commonplace. Moreover, many writers and film directors, particularly those with a proclivity for the Modernist or other subsequent and derivative movements which emerged during or after the early 20th century, seem more concerned that plot is an encumbrance to their artistic medium than an assistance. Modernism describes an array of Cultural movements rooted in the changes in Western society in the late nineteenth and early twentieth century The twentieth century of the Common Era began on Avant-garde novelist and critic Giorgio Manganelli said, "Personally, I'm interested in books that have a theme rather than a plot; which is not possible, or is excessively tough, to summarize. Avant-garde (avɑ̃gaʁd in French) means "advance guard" or "vanguard Giorgio Manganelli ( November 11 1922 - May 28 1990) was an Italian journalist Avant-garde novelist and literary critic " 
The plot was also believed to have been a cardboard like sheet of paper used to inform actors of the Elizabethan Period of basic stage ques while in practice, and possibly even in preformances.
Epistemological historian Paul Veyne (1971: 46-47; English trans. Epistemology (from Greek επιστήμη - episteme, "knowledge" + λόγος, " Logos " or theory of knowledge Paul Veyne, born 13 June 1930 in Aix-en-Provence, is a French Archaeologist and Historian, and a specialist on Ancient Rome. by Min Moore-Rinvolucri 1984: 32-33) applies the concept to real-life events, defining plot as “the fabric of history”, a system of interconnected historical facts:
“Facts do not exist in isolation, in the sense that the fabric of history is what we shall call a plot, a very human and not very ‘scientific’ mixture of material causes, aims, and chances--a slice of life, in short, that the historian cuts as he wills and in which facts have their objective connections and relative importance. System (from Latin systēma, in turn from Greek systēma is a set of interacting or interdependent Entities, real or abstract . . the word plot has the advantage of reminding us that what the historian studies is as human as a play or a novel. . . . then what are the facts worthy of rousing the interest of the historian? All depends on the plot chosen; a fact is interesting or uninteresting. . . in history as in the theater, to show everything is impossible--not because it would require too many pages, but because there is no elementary historical fact, no event worthy atom. If one ceases to see events in their plots, one is sucked into the abyss of the infinitesimal. ”