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Vedanga Shiksha · Chandas · Vyakarana · Nirukta · Jyotisha · Kalpa

Mahakavya (epics) Mahabharata · Ramayana

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Nirukta ("explanation, etymological interpretation") is one of the six Vedānga disciplines of Hinduism, treating etymology, particularly of obscure words, especially those occurring in the Vedas. Literature regarded as central to the Hindu literary tradition was predominantly composed in Sanskrit, Indeed much of the morphology and linguistic "Veda" redirects here For other uses see Veda (disambiguation. The Rigveda ( Sanskrit sa ऋग्वेद ṛgveda, a compound of ṛc "praise verse" and veda "knowledge" The Yajurveda ( Sanskrit यजुर्वेदः, a Tatpurusha compound of yajus "sacrificial formula' + veda The Samaveda ( Sanskrit: सामवेद sāmaveda, from sāman "melody" + veda "knowledge") is third (in the usual The Atharvaveda ( Sanskrit: अथर्ववेद atharvaveda, a Tatpurusha compound of {{IAST|atharvan}}, an ancient Rishi The oral tradition of the Vedas ( Śrauta) consists of several pathas, "recitations" or ways of chanting the Vedic Mantras Such traditions The Brāhmaṇa s ( Devanagari: sa ब्राह्मणं are part of the Hindu śruti literature The Aranyakas (Sanskrit आरण्यक āraṇyaka) are part of the Hindu śruti, the four Vedas these religious texts were composed in The Upanishads ( Devanagari: उपनिषद् IAST: upaniṣad also spelled "Upanisad" are Hindu scriptures that constitute the core teachings The Upanishads ( Devanagari: उपनिषद् IAST: upaniṣad also spelled "Upanisad" are Hindu scriptures that constitute the core teachings The Aitareya Upanishad is one of the older "primary" Upanishads commented upon by Shankara. The Bṛhadāraṇyaka Upanishad ( Sanskrit: बृहदारण्यक उपनिषद् is one of the older "primary" ( Mukhya The Isha Upanishad ( īśa upaniṣad, otherwise Ishopanishad īśopaniṣad or īśāvāsya upaniṣad) is one of the shortest of the Upanishads The Taittiriya Upanishad is one of the older " primary " Upanishads commented upon by Shankara. The Chandogya Upanishad is one of the "primary" ( Mukhya) Upanishads Together with the Jaiminiya Upanishad Brahmana and the Brihadaranyaka The Kena Upanishad (kenopaniṣad is one of the older "primary" Upanishads commented upon by Shankara. The Muṇḍaka Upanishad is one of the older "primary" ( Mukhya) Upanishads commented upon by Shankara. Māndūkya Upanishad is the shortest Upanishads - the scriptures of Hindu Vedanta. The Kaṭha Upanishad is one of the older Mukhya "primary" Upanishads commented upon by Shankara. Prashna Upanishad ( IAST praṣnopaniṣad is one of the older "primary" Upanishads commented upon by Shankara. The Shvetashvatara Upanishad (Sanskrit Śvetāśvatara) (400 - 200 BCE is one of the older "primary" Upanishads It is associated with the Black The Vedanga ( vedāṅga, "member of the Veda" are six auxiliary disciplines for the understanding and tradition of the Vedas. See Shiksha (NGO for the Indian non-governmental organization The main principle of Vedic meter is measurement by the number of syllables The Sanskrit grammatical tradition of vyākaraṇa is one of the six Vedanga disciplines Jyotiṣa ( Sanskrit jyotiṣa, from jyótis- "light heavenly body" also spelled Jyotish and Jyotisha in English Kalpa is one of the six disciplines of Vedanga, treating Ritual. Indian epic poetry is the Epic poetry written in the Indian subcontinent. The Rāmāyaṇa ( Devanāgarī: sa रामायण is an ancient Sanskrit epic attributed to the Hindu sage ( Maharishi) Valmiki The following is a bibliography of Hindu scriptures and texts. Smriti (Sanskrit स्मृति " that which is remembered " refers to a specific body of Hindu religious Scripture If you are looking for the singer see Shruti Haasan. For other meanings see Śruti (disambiguation. For other meanings see Purana (disambiguation. The Puranas ( Sanskrit: sa पुराण purāṇa, "of ancient times" Darśana ( Darshan, दर्शन is a Sanskrit term meaning "sight" (in the sense of an instance of seeing or beholding from a root Pāñcarātra are Vaishnavite devotional texts dedicated to a single deity Sriman Narayana who manifests in different forms Tantras (" Looms " or " Weavings " refers to numerous and varied scriptures pertaining to any of several esoteric traditions In Hinduism a Stotra is a hymn of praise These hymns praise aspects of the divine such as Devi, Siva, or Vishnu. Dharmaśāstra is a genre of Sanskrit texts and refers to the śāstra, or Indic branch of learning pertaining to Hindu Dharma, religious The Nalayira Divya Prabandha (or Nalayira Divya Prabhandham) is a collection of 4000 verses (Naalayira in Tamil means 'four thousand' composed before 8th century The Tevaram ( Tamil: தேவாரம் Teva means "God" aram means "garland") denotes the first seven volumes of the Śrī Rāmacaritamānas ( Devanāgarī: hi श्री राम चरित मानस ( Hindi / Avadhi) is an Epic poem composed by the The Shikshapatri ( Devanagari: शिक्षापत्री is a text of two hundred and twelve verses written in Sanskrit by Bhagwan Swaminarayan The Vachanamrut of Bhagwan Swaminarayan is the most sacred and foundational scripture of the Swaminarayan faith. Ananda Sutram is the basic scripture of modern Yoga composed in Sanskrit by Shrii Shrii Anandamurti (1921-1990 in the year 1961 The Vedanga ( vedāṅga, "member of the Veda" are six auxiliary disciplines for the understanding and tradition of the Vedas. Hinduism is a religious tradition that originated in the Indian subcontinent. Etymology is the study of the History of Words &mdash when they entered a language from what source and how their form and meaning have changed over time ^{[1] [2] [3]} The discipline is traditionally attributed to Yāska, an ancient Sanskrit grammarian. Yāska (यास्कः(6th-5th centuries BC according to Shukla Georgetown University was a Sanskrit grammarian who preceded Pānini. The Sanskrit grammatical tradition of vyākaraṇa is one of the six Vedanga disciplines Yāska's association with the discipline is so great that he is also referred to as Niruktakāra or Niruktakrit ("Maker of Nirukta"), as well as Niruktavat ("Author of Nirukta"). In practical use, nirukta consists of brief rules (sūtras) for deriving word meanings, supplemented with glossaries of difficult or rare Vedic words. See also List of glossaries A glossary is a list of terms in a particular domain of knowledge with the definitions for those terms Vedic Sanskrit is an ancient Indian language, the language of the Vedas, the oldest Shruti texts of Hinduism.

Nirukta is also the name given to a celebrated commentary by Yāska on the Nighantu, an even older glossary which was already traditional in his time. Nighantu ( nighaṇṭu) is a Sanskrit term for a traditional collection of words grouped into thematic categories often with brief annotations Yāska's Nirukta contains a treatise on etymology, and deals with various attempts to interpret the many difficult Vedic words in the Nighantu. It is in the form of explanations of words, and is the basis for later lexicons and dictionaries. In Linguistics, the lexicon (from Greek Λεξικόν of a language is its Vocabulary, including its words and expressions A dictionary is a book of alphabetically listed Words in a specific language with definitions etymologies pronunciations and other information or a book of alphabetically The Nighantu is now traditionally combined with the Nirukta as a unified text.

A critical edition of the Nighantu and the Nirukta was published by Laskhman Sarup in the 1920s.

Use of nirukta in rhetoric

The related Sanskrit noun niruktiḥ means "derivation", or in rhetoric, an "artificial explanation of a word. "

Flourishes of rhetorical skills in the art of nirukta were considered a mark of commentorial authority. As a result, many Sanskrit commentaries include elaborate variations on possible word derivations, sometimes going far afield of obvious meanings in order to show hidden meanings. The nature of Sanskrit grammar, with its many contractions, gave rise to ample opportunities to provide alternate parsings for words, thus creating alternative derivations.

Many examples of the rhetorical use of nirukta occur in Bhaskararaya's commentaries. Bhaskararaya (Bhāskararāya Makhin (1690-1785 is widely considered an authority on all questions pertaining to the worship of the Mother Goddess in Hinduism. Here is an example from the opening verse of his commentary on the Ganesha Sahasranama. The Ganesha Sahasranama ( Sanskrit:sa गणेश सहस्रनाम gaṇeśa sahasranāma is a litany of the names of Hindu deity Ganesha (Gaṇeśa ^[4]

The opening verse includes Gaṇanātha as a name for Ganesha. Ganesha ( Sanskrit: sa गणेश Gaṇeśa) also spelled Ganesa or Ganesh and also known as Ganapati, Vinayaka, and Pillaiyar The simple meaning of this name, which would have seemed obvious to his readers, would be "Protector of the Ganas", parsing the name in a straightforward way as gaṇa (group) + nātha (protector). But Bhaskararaya demonstrates his skill in nirukta by parsing it in an unexpected way as the Bahuvrīhi compound gaṇana + atha meaning "the one the enumeration (gaṇanaṁ) of whose qualities brings about auspiciousness. The word atha is associated with auspiciousness (maṅgalam). " ^[5] This rhetorical flourish at the opening of the sahasranama demonstrates Bhaskaraya's skills in nirukta at the very beginning of his commentary on a thousand such names, including a clever twist appropriate to the context of a sahasranama. A sahasranama ( Sanskrit:sa सहस्रनाम sahasranāma is a type of Hindu scripture in which a deity is referred to by 1000 or more different names

Notes

References

• Lakshman Sarup, The Nighantu and The Nirukta (London, H. Milford 1920-29), Repr. Motilal Banarsidass 2002, ISBN 81-208-1381-2.

External links

• Niruktam sememes