In typography, italic type /ɪˈtælɪk/ or /aɪˈtælɪk/ refers to cursive typefaces based on a stylized form of calligraphic handwriting. Typography is the art and techniques of arranging type, Type design, and modifying type Glyphs Type glyphs are created and modified using a variety In Typography, a typeface is a set of one or more Fonts designed with stylistic unity each comprising a coordinated set of Glyphs A typeface usually comprises "Handwriting" redirects here For scripts for writing down notes by hand see " Cursive " The influence from calligraphy can be seen in their usual slight slanting to the right. Calligraphy (from Greek kallos "beauty" + graphẽ "writing" is the art of writing (Mediavilla 1996 17 Different glyph shapes from roman type are also usually used—another influence from calligraphy. A glyph is an element of writing Two or more glyphs representing the same symbol whether interchangeable or context-dependent are called Allographs the abstract unit they In Typography, "roman" type has two principal meanings both stemming from the stylistic origin of text typefaces from inscriptional capitals used in

It is distinct therefore from oblique type, in which the font is merely distorted into a slanted orientation. Oblique type (or slanted, sloped) is a form of type that slants slightly to the right used in the same manner as Italic type. However uppercase letters are often oblique type or swash capitals rather than true italics. A swash is a typographical flourish on a Glyph, like an exaggerated Serif.

Examples

An example of normal (roman) and true italics text:

An example set in both roman and italic type. In Typography, "roman" type has two principal meanings both stemming from the stylistic origin of text typefaces from inscriptional capitals used in In Typography, "roman" type has two principal meanings both stemming from the stylistic origin of text typefaces from inscriptional capitals used in

The same example, as oblique text:

The same example as set in oblique type. Oblique type (or slanted, sloped) is a form of type that slants slightly to the right used in the same manner as Italic type.

Some examples of possible differences between roman and italic type, besides the slant, are below. The transformations from roman to italics are illustrated.

• a "round" or one-storey a (also known as Latin alpha),
• an e whose bowl is curved rather than pointed,
• an f with a tail (known as a descender),
• a k with a looped bowl, a k with a ball terminal,
• a p with an intersection at the stem (ascender),
• a v and w with swashes and curved bottoms,
• and a z with the stress on the horizontal strokes as opposed to the diagonal vertical one. Latin alpha (Majuscule Ɑ, Minuscule ɑ) or script a is a letter of the Latin alphabet, based on one lowercase form of A, or on the

None of these differences are required in an italic; some, like the p variant, don't show up in the majority of italic fonts, while others, like the a and f variants, are in almost every italic. Other common differences include:

• Double-loop g replaced by single-loop version.
• Different closing height where the forked stroke intersects with the stem (eg: a, b, d, g, p, q, r, þ).
• Bracketed serifs (if any) replaced by hooked serifs.
• Tail of Q replaced by tilde (as in, for example, the Garamond typeface). Garamond is the name given to a group of old style serif Typefaces named for the punch-cutter Claude Garamond (c

Less common differences include a descender on the z and a ball on the finishing stroke of an h, which curves back to resemble a b somewhat. Sometimes the w is of a form taken from old German typefaces, in which the left half is of the same form as the n and the right half is of the same form as the v in the same typeface. There also exist specialized ligatures for italics, such as a curl atop the s which reaches the ascender of the p in sp.

In addition to these differences in shape of letters, italic lowercases usually lack serifs at the bottoms of strokes, since a pen would bounce up to continue the action of writing. Origins & etymology Serifs are thought to have originated in the Roman alphabet with inscriptional lettering —words carved into stone in Roman antiquity Instead they usually have one-sided serifs that curve up on the outstroke (contrast the flat two-sided serifs of a roman font). One uncommon exception to this is Hermann Zapf's Melior. Hermann Zapf (born November 8, 1918) is a German Typeface designer who lives in Darmstadt, Germany (Its outstroke serifs are one-sided, but they don't curve up. )

Outside the regular alphabet, there are other italic types for symbols:

• Ampersand resembles eT ligature more than the Roman version (eg: ITC Garamond)
• Question mark resembles a reversed Latin S. An ampersand ( &) also commonly called an " 'and' sign," is a Logogram representing the conjunction "and" The question mark (? also known as an interrogation point, question point, query, or eroteme, is a punctuation mark that replaces
• Asterisk is rotated instead of slanted (eg: Bookman Old Style, ITC Garamond). An asterisk ( *) (Latin asteriscum "little star" from Greek ἀστερίσκος) is a Typographical symbol or Glyph Bookman or Bookman Old Style is a Serif Typeface derived from Old Style Antique designed by Alexander Phemister in 1858 for Miller

Usage

When to use

• Emphasis: "Smith wasn't the only guilty party, it's true. In Typography, emphasis is the exaggeration of words in a text with a font in a different style from the rest of the text&mdashto emphasise them "
• The titles of works that stand by themselves, such as books or newspapers: "He wrote his thesis on The Scarlet Letter. " Works that appear within larger works, such as short stories, poems, or newspaper articles, are not italicized, but merely set off in quotation marks. Quotation marks or inverted commas (informally referred to as quotes and speech marks) are Punctuation marks used in pairs to set off speech
• The names of ships: "The Queen Mary sailed last night. "
• The title of an epic poem: "The Iliad is thought to be the first Greek writing. "
• Foreign words, including the Latin binary nomenclature in the taxonomy of living organisms: "A splendid coq au vin was served"; "Homo sapiens".
• Using a word as an example of a word rather than for its semantic content (see use-mention distinction): "The word the is an article. The use–mention distinction (sometimes referred to as the words-as-words distinction) is the distinction between using a word (or phrase and mentioning "
  • Using a letter or number mentioned as itself:
    • John was annoyed: They had forgotten the h in his name once again.
    • When she saw her name beside the 1 on the rankings, she finally had proof that she was the best.
• Introducing or defining terms, especially technical terms or those used in an unusual or different way:^[1] "Freudian psychology is based on the ego, the super-ego, and the id. "; "An even number is one that is a multiple of 2. "
• Sometimes in novels to indicate a character's thought process: "This can't be happening, thought Mary. "
• Symbols for physical quantities and other mathematical variables: "The speed of light, c, is approximately equal to 3. A physical Quantity is a physical property that can be quantified A variable (ˈvɛərɪəbl is an Attribute of a physical or an abstract System which may change its Value while it is under Observation. 00×10⁸ m s^-1. "

Alternative representations

Oblique type

Oblique type (or slanted, sloped) is roman type which is optically skewed, but lacking the individual letter forms and cursive accoutrements of true italics. Oblique type (or slanted, sloped) is a form of type that slants slightly to the right used in the same manner as Italic type.

In many computing interfaces, the text leaning effect is called Italic, whether or not an italic font is used to render the text. The start of this confusion possibly appeared when Adrian Frutiger named the slanted versions of his typefaces Univers and Frutiger as italic. Adrian Frutiger (b 24 May 1928 is one of the prominent typeface designers of the twentieth century who continues influencing the direction of digital typography in the twenty-first Univers (ynivɛʀ French: "universe" is the name of a realist Sans-serif Typeface designed by Adrian Frutiger in 1954 Frutiger (pronounced with a hard g) is a series of Typefaces named after its designer Adrian Frutiger. In the case of Univers, only Univers 65 Bold has a italic-named counterpart. Since then, many font families, primarily sans-serif fonts, have called the oblique fonts italic. Although updated version of those font families begin to incorporate italic features, some font families, such as Avenir Next, Linotype Univers, Neue Helvetica, do not.

Although oblique font can be generated by simply tilting base font, some designers use optical correction to correct the distorted curves introduced by the tilting alone. In addition, the tilting angle used by GUI may be different than the oblique or italic font. Some font families even have fonts in both italic and oblique variants, regardless of the presence of italic type. In addition, the oblique font can have different tilting angle from the italic font. For example, Univers 65 Bold Oblique has a smaller leaning angle than the Univers 66 Bold Italic.

Italics within italics

If something within a run of italics needs to be italicized itself, the type is switched back to non-italicized (roman) type: "That sounds like something from The Scarlet Letter, thought Mary. In Typography, "roman" type has two principal meanings both stemming from the stylistic origin of text typefaces from inscriptional capitals used in " In this example, we have a title ("The Scarlet Letter") within an italicized thought process and therefore this title is non-italicized. It is followed by the main narrative that is outside both. It is also non-italicized and therefore not obviously separated from the former. The reader must find additional criteria to distinguish between these. Here, apart from using the attribute of italic–non-italic styles, the title also employs the attribute of capitalization.

Left-leaning italics

In certain Arabic fonts (eg: Adobe Arabic, Boutros Ads), the italic font has the top of the letter leaning to the left, instead of leaning to the right. Some font families, such as Venus, Roemisch, Topografische Zahlentafel, include left leaning fonts and letters designed for German cartographic map production, even though they do not support Arabic characters.

Parentheses

The Chicago Manual of Style suggests that to avoid problems such as overlapping and unequally spaced characters, parentheses and brackets surrounding text that begins and ends in italic or oblique type should also be italicized. The Chicago Manual of Style (abbreviated in writing as CMS or CMOS or verbally as Chicago) is a Style guide for American English Brackets are Punctuation marks used in pairs to set apart or interject text within other text Brackets are Punctuation marks used in pairs to set apart or interject text within other text Oblique type (or slanted, sloped) is a form of type that slants slightly to the right used in the same manner as Italic type. An exception to this rule applies when only one end of the parenthetical is italicized (in which case roman type is preferred). In Typography, "roman" type has two principal meanings both stemming from the stylistic origin of text typefaces from inscriptional capitals used in

Substitutes

In media where italicization is not possible, alternatives are used as substitutes:

• In typewritten or handwritten text, underlining is typically used. An underline, also called an underscore, is one or more horizontal lines immediately below a portion of Writing.
• In plain-text computer files, including e-mail communication, italicized words are often indicated by surrounding them with slashes or other matched delimiters. The slash ( /) is a punctuation mark It is also called a virgule, diagonal, stroke, forward slash, oblique dash, A delimiter is a sequence of one or more characters used to specify the boundary between separate independent regions in Plain text or other data stream For example:
  • I was /really/ annoyed.
  • They >completely< forgot me!
  • I had _nothing_ to do with it.
  • It was *absolutely* horrible.
• Where the italics do not indicate emphasis, but are marking a title or where a word is being mentioned or defined as a direct object, quotation marks may be substituted:
  • The word "the" is an article. An object in Grammar is a Sentence element and part of the sentence predicate.
  • The term "even number" refers to a number that is a multiple of 2.
  • The story "A Sound of Thunder" was written by Ray Bradbury.

Web pages

In HTML, the i element is used to produce italic (or oblique) text. HTML, an initialism of HyperText Markup Language, is the predominant Markup language for Web pages It provides a means to describe the structure Oblique type (or slanted, sloped) is a form of type that slants slightly to the right used in the same manner as Italic type. When the author wants to indicate emphasized text, modern Web standards recommend using the em element, because it conveys that the content is to be emphasized, even if it can't be displayed in italics. Conversely, if the italics are purely ornamental rather than meaningful, then semantic markup practices would dictate that the author use the Cascading Style Sheets declaration font-style: italic; instead of an i or em element. HTML, an initialism of HyperText Markup Language, is the predominant Markup language for Web pages It provides a means to describe the structure

History

Italic type was first produced by Aldus Manutius and the Aldine Press in 1501 as a condensed type for simple, compact volumes. Aldus Manutius (1449/1450 – February 6, 1515) the Latinized name of Teobaldo Mannucci, sometimes called Aldus Manutius the Elder to distinguish Aldine Press was the Printing office started by Aldus Manutius in 1494 in Venice, from which were issued the celebrated Aldine editions of the ^[2] The punches for these types were cut by Francesco da Bologna (whose name was Griffi). In 1501 Aldus wrote to his friend Scipio:

We have printed, and are now publishing, the Satires of Juvenal and Persius in a very small format, so that they may more conveniently be held in the hand and learned by heart (not to speak of being read) by everyone.

The Aldine italic was modeled on the handwriting of Italian humanist Poggio Bracciolini who wrote in a beautiful and legible style, who was himself emulating the cursive handwriting of blackletter, which Poggio Bracciolini (mistakenly) believed to be the style of Ancient Rome. (Gian Francesco Poggio Bracciolini ( February 11, 1380 – October 30, 1459) was one of the most important Italian humanists. Blackletter, also known as Gothic script or Gothic minuscule, was a script used throughout Western Europe from approximately 1150 When we read italic type to this day we are basically reading the handwriting of Poggio Bracciolini. ^[3]

Unlike the italic type of today, the capital letters were upright roman capitals which were shorter than the ascending lower-case italic letters and used about 65 tied letters (ligatures) in the Aldine Dante and Virgil of 1501.

This Aldine italic became the model for most italic types. It was very popular in its own day and was widely (and inaccurately) imitated. The Venetian Senate gave Aldus exclusive right to its use, a patent confirmed by three successive Popes, but it was widely counterfeited. ^[2] The Italians called the character Aldino, while others called it Italic.

The slanting italic capital was first introduced by printers in Lyons, and is now used in nearly all italic fonts.

References

External link

• The Uses of Italic A Primer of Information Regarding the Origin and Uses of Italic Letters by Frederick W. Hamilton
• Capital Community College Foundation