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Operas by Wolfgang Amadeus Mozart

Die Schuldigkeit des ersten Gebotes (1767)
Apollo et Hyacinthus (1767)
Bastien und Bastienne (1768)
La finta semplice (1769)
Mitridate, re di Ponto (1770)
Ascanio in Alba (1771)
Il sogno di Scipione (1772)
Lucio Silla (1772)
La finta giardiniera (1775)
Il re pastore (1775)
Thamos, König in Ägypten (1779)
Zaide (1780)
Idomeneo (1781)
Die Entführung aus dem Serail (1782)
L'oca del Cairo (1783)
Lo sposo deluso (1784)
Der Schauspieldirektor (1786)
The Marriage of Figaro (1786)
Don Giovanni (1787)
Così fan tutte (1790)
La clemenza di Tito (1791)
The Magic Flute (1791)

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Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School For Lovers) K. Die Schuldigkeit des ersten Gebotes (The Obligation of the First and Foremost Commandment K Bastien und Bastienne (Bastien and Bastienne is a one-act Singspiel, comic Opera, with German libretto by Friedrich Wilhelm Weiskern La finta semplice ( The Pretended Simpleton) K 51 (46a is an Opera buffa in three acts for soloists and orchestra composed in 1769 Mitridate re di Ponto ( Mithridates, King of Pontus) K 87 (74a, is an early Opera seria in three acts by Wolfgang Amadeus Ascanio in Alba, K 111, is a Pastoral Opera in two parts ( Festa teatrale in due atti) by Wolfgang Amadeus Mozart Il sogno di Scipione, K 126, is a dramatic serenade in one act ( Azione teatrale) composed by Wolfgang Amadeus Mozart to Lucio Silla (K135 is an Italian Opera in three acts composed by Wolfgang Amadeus Mozart. La finta giardiniera ("The Pretended Garden-Girl" K 196 is an Italian Opera by Wolfgang Amadeus Mozart. Il re pastore ( The Shepherd King) is an Opera, K 208 written by Wolfgang Amadeus Mozart to an Italian Libretto Thamos König in Ägypten ( Thamos King of Egypt, or King Thamos, in English is a play by Tobias Philipp baron von Gebler for which between 1773 Zaide is an unfinished Opera, K 344 written by Wolfgang Amadeus Mozart in 1780 Idomeneo re di Creta ossia Ilia e Idamante ( Italian: Idomeneo King of Crete or Ilia and Idamante; usually referred to simply as Idomeneo Die Entführung aus dem Serail ( K 384; The Abduction from the Seraglio; also known as Il Seraglio) is an Opera Singspiel L'oca del Cairo is an Opera buffa in three acts K 422 begun by Wolfgang Amadeus Mozart in July 1783 but abandoned in October Lo sposo deluso ossia La rivalità di tre donne per un solo amante ( The Deluded Bridegroom or The Rivalry of Three Women for One Lover) is a two act Opera buffa Der Schauspieldirektor ( The Impresario) K 486 is a comic Singspiel written by Wolfgang Amadeus Mozart to a German Le nozze di Figaro ossia la folle giornata (Trans The Marriage of Figaro or the Day of Madness) K Don Giovanni ( K527; complete title Il dissoluto punito ossia il Don Giovanni, literally "The Rake Punish'd or Don Giovanni La clemenza di Tito (The Clemency of Titus K 621 is an Opera seria composed by Wolfgang Amadeus Mozart, with text after Metastasio The Magic Flute (German Die Zauberflöte, K 620 is an Opera in two acts composed in 1791 by Wolfgang Amadeus Mozart 588, is an opera buffa by Wolfgang Amadeus Mozart. The term Opera buffa (plural Opere buffe) was at first used as an informal description of Italian Comic operas variously classified by their authors as The libretto was written by Lorenzo da Ponte. A libretto is the text used in an extended Musical work such as an Opera, Operetta, Masque, sacred or secular Oratorio and This article is about the librettist Lorenzo da Ponte For the Bishop of the same name see Vittorio Veneto.

Così is one of the three Mozart operas for which da Ponte wrote the libretto. (The title is often shortened to Così in the English-speaking world. ) The other two da Ponte-Mozart collaborations were Le nozze di Figaro and Don Giovanni. Le nozze di Figaro ossia la folle giornata (Trans The Marriage of Figaro or the Day of Madness) K Don Giovanni ( K527; complete title Il dissoluto punito ossia il Don Giovanni, literally "The Rake Punish'd or Don Giovanni

Così was written and composed at the suggestion of the Emperor Joseph II. Heir and co-regent Joseph was born in the midst of the early upheavals of the War of the Austrian Succession. The libretto was originally intended to be set to music by Mozart's contemporary Antonio Salieri but Salieri only completed parts of the first act and then broke off work on the opera. A libretto is the text used in an extended Musical work such as an Opera, Operetta, Masque, sacred or secular Oratorio and Antonio Salieri ( 18 August 1750 &ndash 7 May 1825) was an Italian Composer and conductor.

The title, Così fan tutte, literally means "Thus do all [women]" but it is often translated as "Women are like that". The words are sung by the three men in Act II, Scene xiii, just before the finale. Da Ponte had used the line "Così fan tutte le belle" earlier in Le nozze di Figaro (in Act I, Scene vii).

Contents

Performance history

The first performance of Mozart's setting took place at the Burgtheater in Vienna on January 26, 1790. The Burgtheater ( en: (Imperial Court Theatre originally known as K Vienna ( in Wien; see also other names) is the Capital of Austria, and is also one of the nine States of Austria. Events 1340 - King Edward III of England is declared King of France. Year 1790 ( MDCCXC) was a Common year starting on Friday (link will display the full calendar of the Gregorian calendar (or a Common year

The subject matter (see synopsis below) did not offend Viennese sensibilities of the time, but throughout the 19th and early 20th centuries it was considered risqué. The 19th century of the Common Era began on January 1, 1801 and ended on December 31, 1900, according to the Gregorian calendar The twentieth century of the Common Era began on The opera was rarely performed, and when it did appear it was presented in one of several bowdlerised libretti. Thomas Bowdler ( IPA /ˈbaʊdlə/ ( July 11, 1754 &ndash February 24, 1825) was an English Physician who published

After World War II, it regained its place in the standard operatic repertoire. World War II, or the Second World War, (often abbreviated WWII) was a global military conflict which involved a majority of the world's nations, including It is frequently performed and appears as number fifteen on Opera America's list of the 20 most-performed operas in North America[1]. Opera America, officially OPERA America, is a service organization in North America promoting the creation presentation and enjoyment of Opera.

Roles

RoleVoice typePremiere Cast, January 26, 1790
(Conductor: Wolfgang Amadeus Mozart)
Fiordiligidramatic coloratura sopranoAdriana Ferrarese
Dorabella, ladies from Ferrara and sisters, living in Napleslyric mezzo-sopranoLouise (Luisa) Villeneuve
Guglielmolyric baritoneFrancesco Benucci
Ferrandotenore di graziaVincenzo Calvesi
Despina, a maidsoubretteDorotea Bussani
Don Alfonso, an old philosopherbasso buffoFrancesco Bussani
Chorus: soldiers, servants, sailors

While the use of modern fach titles and categories has become customary, it should be noted that Mozart was far more general in his own descriptions of voice type: Fiordiligi (soprano), Dorabella (soprano), Guglielmo (bass), Ferrando (tenor), Despina (soprano), Don Alfonso (Bass). This article is related to a series of articles under the main article Voice type. Adriana Ferrarese del Bene (born c 1755 in Ferrara - died after 1804 in Venice) was an Italian operatic Soprano. This article is related to a series of articles under the main article Voice type. This article is related to a series of articles under the main article Voice type. Tenore di grazia, also called tenore leggero, is a lightweight flexible Tenor type of voice Soubrette is a term referring to a type of female role&mdashspecifically a Stock character &mdashin Opera and Theatre. [2]

Synopsis

Mozart and Da Ponte took as a theme "fiancée swapping" which dates back to the 13th century, with notable earlier versions being those of Boccaccio's Decameron and Shakespeare's play Cymbeline. The Decameron (subtitle Prencipe Galeotto) is a collection of 100 Novellas by Italian author Giovanni Boccaccio, probably begun in William Shakespeare ( baptised This article is about Shakespeare's play For the mythical British king see Cunobelinus. Elements from Shakespeare's The Taming of the Shrew are also present. William Shakespeare ( baptised The Taming of the Shrew is an early comedy by William Shakespeare believed to have been written between 1590 and 1594 Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii. In Greek mythology, Procris was the daughter of Erechtheus, king of Athens and his wife Praxithea. Publius Ovidius Naso ( March 20, 43 BC – 17 AD was a Roman poet known to the English -speaking world as Ovid who wrote on many topics including

Place: Naples. Naples ( Napoli, Neapolitan: Nàpule) is a historic City in southern Italy, the Capital of the
Time: the 18th century. The 18th century lasted from 1701 to 1800 in the Gregorian calendar, in accordance with the Anno Domini / Common Era numbering system

Act 1

In a coffee shop, Ferrando and Guglielmo (two officers) claim that their fiancées (Dorabella and Fiordiligi, respectively) will be eternally faithful. Don Alfonso joins the discussion and lays a wager with the two officers, claiming he can prove in a day's time that these two women (like all women) are fickle. The wager is accepted: the two officers will pretend to have been called off to war; soon thereafter they shall return in disguise and attempt to seduce each other's lover. The scene shifts to the two women (they are sisters) who are praising their men. Alfonso arrives to announce the bad news: the officers have been called off to war. Ferrando and Guglielmo arrive, brokenhearted, and bid farewell (quintet: Sento, o Dio, che questo piedo è restio—"I feel, oh God, that my foot is reluctant"). As the boat with the men sails off to sea, Alfonso and the sisters wish them safe travel (trio: Soave sia il vento—"May the wind be gentle"), then Alfonso, left alone, rails against the fickleness of women (arioso: Oh, poverini, per femmina giocar cento zecchini?—"Oh, poor little ones, to wager 100 sequins on a woman"). Sequin ( zecchino in Italian) is a Gold coin weighed 35 grams of.

The scene shifts to a room in the sisters' home. Despina, their maid, arrives and asks what is wrong. Maid is also a shortened form of " Maiden " an archaic word for an unmarried woman or a Virgin. Dorabella bemoans the torment of having been left alone (aria: Smanie implacabili—"Torments implacable"). Despina mocks the sisters, advising them to consider new lovers over old lovers (aria: In uomini, in soldati, sperare fedeltà?—"In men, in soldiers, you hope for faithfulness?"). After they depart, Alfonso arrives upon the scene. He fears Despina will recognize the men through their disguises, so he bribes her into helping him win the bet. The two men then arrive, dressed as mustachioed Albanians. This article is about the country in southern Europe For a topic outline on this subject see List of basic Albania topics. The sisters enter and are alarmed by the presence of strange men in their home. The Albanians attempt to win over the sisters, Guglielmo going so far as to point out all of his manly attributes (aria: Non siate ritrosi—"Don't be shy"), but to no avail (aria: Come scoglio—"Like a rock"). Ferrando, left alone and sensing victory, praises his love (aria: Un'aura amorosa—"A loving breath").

The scene shifts to a garden, with the sisters still pining. But Despina has asked Don Alfonso to let her take over the seduction plan—and suddenly, the Albanians burst in the scene and threaten to poison themselves if they are not allowed the chance to woo the sisters. As Alfonso tries to calm them, they drink the poison and pass out. Soon thereafter, a doctor arrives on the scene (Despina in disguise), who, through use of a large magnet (see animal magnetism), is able to revive the Albanians. The term's most common usage today refers to a person's sexual attractiveness or raw Charisma. The revived men, hallucinating, demand a kiss of the goddesses who stand before them. A hallucination, in the broadest sense is a Perception in the absence of a stimulus. A goddess is a Female Deity. Many Cultures have goddesses Often deities are part of a polytheistic system that includes several deities The sisters refuse, even as Alfonso and the doctor (Despina) urge them to acquiesce.

Act 2

The act opens in the sisters' bedroom, with Despina urging them to succumb to the Albanians' overtures (aria: Una donna a quindici anni—"A fifteen year old woman"). After she leaves, Dorabella confesses to Fiordiligi that she is tempted, and the two agree that a mere flirtation will do no harm and will help them pass the time while they wait for their lovers to return (duet: Prenderò quel brunettino"—"I will take the dark one").

The scene shifts to the garden, where Dorabella and the disguised Guglielmo pair off, as do the other two. The conversation is haltingly uncomfortable, and Ferrando departs with Fiordiligi. Now alone, Guglielmo attempts to woo Dorabella. She does not resist strongly, and soon she has given him a medallion (with Ferrando's portrait inside) in exchange for a heart-shaped locket (duet: Il core vi dono—"I give you my heart"). A locket is a Pendant that opens to reveal a space used for storing a Photograph or other small item such as a curl of hair Ferrando is less successful with Fiordiligi (Ferrando's aria: Ah, lo veggio—"Ah, I see it," and Fiordiligi's aria: Per pietà, ben mio, perdona—"Please, my beloved, forgive"), so he is enraged when he later finds out from Guglielmo that the medallion with his portrait has been so quickly given away to a new lover. Guglielmo at first sympathises with Ferrando (aria: Donne mie, la fate a tanti—"My ladies, you do it to so many") but then gloats, because his betrothed is faithful.

The scene changes to the sister's room, where Dorabella admits her indiscretion to Fiordiligi (È amore un ladroncello—"Love is a little thief"). Fiordiligi, upset by this development, decides to go to the army and find her betrothed. Before she can leave, though, Ferrando arrives and continues his attempted seduction. Fiordiligi finally succumbs and falls into his arms (duet: Fra gli amplessi—"In the embraces"). Guglielmo is distraught while Ferrando turns Guglielmo's earlier gloating back on him. Alfonso, winner of the wager, tells the men to forgive their fiancées. After all: Così fan tutte—"All women are like that. "

The final scene begins as a double wedding for the sisters and their Albanian grooms. Despina, in disguise as a notary, presents the marriage contract, which all sign. A notary public is an officer who can administer Oaths and Statutory Declarations Witness and authenticate documents Directly thereafter, military music is heard in the distance, indicating the return of the officers. Alfonso confirms the sisters' fears: Ferrando and Guglielmo are on their way to the house. The Albanians hurry off to hide (actually, to change out of their disguises). They return as the officers, professing their love. Alfonso drops the marriage contract in front of the officers, and, when they read it, they become enraged. They then depart and return moments later, half in Albanian disguise, half as officers. Despina has been revealed to be the notary, and the sisters realize they have been duped. All is ultimately forgiven, as the entire group praises the ability to accept life's unavoidable good times and bad times.

(Plot taken from The Opera Goer's Complete Guide by Leo Melitz, 1921 version. Year 1921 ( MCMXXI) was a Common year starting on Saturday (link will display full 1921 calendar of the Gregorian calendar )

Noted arias & musical numbers

Selected recordings

YearCast
(Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Alfonso)
Opera House and Orchestra,
conductor
Label
1935Ina Souez,
Luise Helletsgruber,
Irene Eisinger,
Heddle Nash,
Willi Domgraf-Fassbaender
John Brownlee
Glyndebourne Festival Chorus and Orchestra, Fritz BuschAudio CD: Naxos Records
Cat:
(remastered 2004)
1952Eleanor Steber,
Blanche Thebom,
Roberta Peters,
Richard Tucker,
Frank Guarrera,
Lorenzo Alvary
Metropolitan Opera Chorus and Orchestra, Fritz StiedryAudio CD: Columbia Records
1954Elisabeth Schwarzkopf,
Nan Merriman,
Lisa Otto,
Leopold Simoneau,
Rolando Panerai,
Sesto Bruscantini
Philarmonia Orchestra and Chorus, Herbert Von KarajanAudio CD: EMI Classics
1955Lisa della Casa,
Christa Ludwig,
Emmy Loose,
Anton Dermota,
Erich Kunz,
Paul Schoffler
Vienna State Opera Chorus and Orchestra, Karl BohmAudio CD: Decca
1962Elisabeth Schwarzkopf,
Christa Ludwig,
Anny Steffek,
Alfredo Kraus,
Giuseppe Taddei,
Walter Berry
Philarmonia Orchestra and Chorus, Karl BohmAudio CD: EMI Classics
Cat:
(re-issued 2000)

Media

References

  1. ^ OPERA America's "The Top 20" list of most-performed operas
  2. ^ As evidenced by Baerenreiter's critical editions of the opera and corresponding articles in The New Grove Dictionary of Opera

In popular culture

External links

The Neue Mozart-Ausgabe (abbreviated as "NMA" in English New Mozart Edition) is the second complete works edition of the music of Wolfgang Amadeus
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